Art museum blockbuster hits are now as common as other venues that sell tickets, such as film concerts and theatre. Ticket sales define the blockbuster’s success.
Blockbuster museum shows are a recent development, considering the length of the history of art. It all began in 1976 when the King Tut exhibit drew more than 8 million people to The Metropolitan Museum of Art. Thomas Hoving, the Met’s museum director at the time, is credited for this innovation. Hoving publicly says that “It’s not true “I stole the idea from the Europeans. But I’ll say it was my idea.”
Thomas Hoving has a special knack for recognizing a good thing, especially when it comes to art. He continued launching blockbuster style shows and changed art museums forever.
What makes one living contemporary artist’s work move into the rarefied stratosphere of big ticket auction sales at Sotheby’s or Christies while other artists languish in the hot summer sun in tents at art fairs hoping to sell their paintings?
Post Conceptual Art marries the concepts of conceptualism with figurative art. The focus is on the strokes – and each stroke is a symbol, usually a letter from a text(s). The strokes are then used, as artists have always used strokes, to create a narrative image.
This article is deals with what stood out so much at Pulse NY that I actually remember it, weeks later. There are some good artists and booths that deserve a mention, even a belated one.
For the sixth year Scope exhibited during the art fair season in NYC, from March 26-30, 2008. Their spot was in the Lincoln Center area, and since this fair cleverly opened earlier than the others, this was my first stop.
The 10th annual Armory show, NYC was held at Pier 94 from March 27-30. Only contemporary art was featured by the participating 150 galleries chosen by this year’s selection committee.
Who is Impacted When an Art Museum Show is a Blockbuster Hit?
Art museum blockbuster hits are now as common as other venues that sell tickets, such as film concerts and theatre. Ticket sales define the blockbuster’s success.
Blockbuster museum shows are a recent development, considering the length of the history of art. It all began in 1976 when the King Tut exhibit drew more than 8 million people to The Metropolitan Museum of Art. Thomas Hoving, the Met’s museum director at the time, is credited for this innovation. Hoving publicly says that “It’s not true “I stole the idea from the Europeans. But I’ll say it was my idea.”
Thomas Hoving has a special knack for recognizing a good thing, especially when it comes to art. He continued launching blockbuster style shows and changed art museums forever.
Read MoreWhat Sells Fine Art?
What sells art?
What makes one living contemporary artist’s work move into the rarefied stratosphere of big ticket auction sales at Sotheby’s or Christies while other artists languish in the hot summer sun in tents at art fairs hoping to sell their paintings?
Read MorePost Conceptual Art (May 2008)
Post Conceptual Art marries the concepts of conceptualism with figurative art. The focus is on the strokes – and each stroke is a symbol, usually a letter from a text(s). The strokes are then used, as artists have always used strokes, to create a narrative image.
Read MorePulse NY 2008
This article is deals with what stood out so much at Pulse NY that I actually remember it, weeks later. There are some good artists and booths that deserve a mention, even a belated one.
Read MoreScope Art Fair — NYC 2008
For the sixth year Scope exhibited during the art fair season in NYC, from March 26-30, 2008. Their spot was in the Lincoln Center area, and since this fair cleverly opened earlier than the others, this was my first stop.
Read MoreArmory Art Show 2008
The 10th annual Armory show, NYC was held at Pier 94 from March 27-30. Only contemporary art was featured by the participating 150 galleries chosen by this year’s selection committee.
Read More